Sheila Moss
419 Greene Avenue #1
Brooklyn, New York 11216
646-732-3714
sheilamoss@optimum.net
One and Two Person Exhibitions
2002 Poiesis. Kenderdine Art Gallery. Saskatoon, Saskatchewan, Canada.
2001 Poiesis. Mercer Union Centre for Contemporary Art. Toronto, Ontario, Canada
2000 Proprioception. Roebling Hall. Brooklyn, New York.
Edwin A. Ulrich Museum of Art. Wichita, Kansas.
1999 Lost Horizon. Southern Exposure. San Francisco, California.
1998 Horror Vacuii. Roebling Hall. Brooklyn, New York.
Animal/Vegetable. Project. Wichita, Kansas.
Ebert Art Center. College of Wooster. Wooster, Ohio.
Selected Group Exhibitions
2005-2007 18 Illuminations. Traveling exhibition: venues in Ontario, Manitoba, Nova Scotia and British Columbia, Canada.
2003 Presence of Light. The Berkshire Museum. Pittsfield, Massachusetts.
2002 The Magic of Light. Hudson River Museum. Yonkers, New York.
2001 Eight Times Light. The Jewish Museum. New York, New York.
Popular Mechanics. Smack-Mellon Studios. Brooklyn, New York.
Blobs,wiggles and dots, webs and crustillations. The Work Space. New York, New York.
The Entropic Garden. Wake Forest University. Winston-Salem, North Carolina.
Cross Pollination. Holland Tunnel. Brooklyn, New York.
2000 Bounded Intervals. Detroit Artists Market. Detroit, Michigan.
1999 The More Things Change. Sculpture Center. New York, New York.
Outer Boroughs. White Columns. New York, New York.
(P)review. Roebling Hall. Brooklyn, New York.
Floored. Spaces. Cleveland, Ohio.
1997 Tiny Works. Project, Wichita, Kansas.
1996 Brookworld. Abandoned Bldg. Thompson Street, New York, New York.
1995 1708 Gallery. Richmond, Virginia.
Anatomy of Solitude. China Phoenix Gallery. Albuquerque, New Mexico.
1994 Everson Biennial. Everson Museum of Art. Syracuse, New York.
Strange Angels. Syracuse Stage. Syracuse, New York.
Mason Hill Project. Lafayette, New York.
Bibliography
Albritton, Ann. “Floored: Floor-based Sculpture and Installation.” Sculpture Magazine. Oct. 1999. Review.
Chayat, Sherry. “Everson Biennial.” Syracuse Herald Journal. Sept. 25, 1994. Review.
Colby, Joy H. Detroit News. Dec. 8, 2000.
Cotter, Holland. New York Times. Dec. 1, 2000. Review.
Cotter, Holland. New York Times. May 2001. Review.
Dault, Gary. “Poiesis.” Toronto Globe and Mail. July 8, 2001. Review.
Ghaznavi, Corinna. "Reflecting Darkness and Light: 18 Citations". 18 Illuminations catalogue essay.
Glueck, Grace. “Painting Exuberant Forms with a Palette of Light.” New York Times.
Mar.1, 2002. Review.
Gouveia, Georgette. “Lights Fantastic.” The Journal News. Feb. 11, 2002. Article.
Green, Frank. “Floor Plan.” Cleveland Free Times. May 26, 1999. Review.
Litt, Steven. The Plain Dealer. May 25, 1999. Review.
Norman, Bud. Wichita Eagle. May 29, 1998. Article.
Preston, Janet. “Brookworld.” Coagula Art Journal. Oct. 1996. Review.
Provo, Annie. “On View: Williamsburg.” New Art Examiner. July/Aug. 1998. Review.
Samuel, Dana. “Poiesis.” Canadian Art. Fall 2002. Review.
Smith, Roberta. “Brookworld.” New York Times. Sept. 13, 1996. Review.
Zimmer, William. “Show Turns A Spotlight On Light Itself In All Forms.” New York Times.
Feb. 17, 2002. Review.
Visiting Lecturer
Hudson River Museum. Yonkers, New York. April 2002.
University of Saskatchewan. Saskatoon, Saskatchewan. April 2002.
Mercer Union Centre for Contemporary Art. Toronto, Ontario. June 2001.
Wichita State University. Wichita, Kansas. March 2000.
College of Wooster. Wooster, Ohio. November 1998.
Education
MFA Syracuse University, Syracuse University Fellowship 1994-1995
BFA Pratt Institute